Blue Coast Collection
Complete Album 44kHz (WAV): |
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Complete Album 96kHz (WAV): |
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Complete Album DSDIFF (DFF): |
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Cover Art JPG: |
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Produced by Cookie Marenco and Jean Claude Reynaud Recorded and Mixed by Cookie Marenco and Jean Claude Reynaud Assisted by Kevin Scott at The Site and Skywalker Ranch
Extended Sound Environment (E.S.E.) Mastered by David Glasser and Dominick Maita at Airshow Mastering Cover Painting by Simone Raoux Released 2007 |
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Blue Coast Records
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| 1. | Looking For a Home (5:49) Written by Keith Greeninger Performed by Keith Greeninger & Dayan Kai |
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| 2. | Slow Day (4:04) Written by Jane Selkye Performed by Jane Selkye & Chris Kee |
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| 3. | Lilianna (4:05) Written by José Manuel Blanco Performed by José Manuel Blanco & Jason McGuire |
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| 4. | Darcy Farrow (3:13) Written by Steve Gillette & Tom Campbell ©1965, Cherry Bell Music (ASCAP) Performed by Rob Ickes & Tony Furtado |
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| 5. | The Dog Song (6:10) Written & Performed by Garett Brennan |
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| 6. | Tamalpais (2:00) Written by Cookie Marenco Performed by Tony Furtado |
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| 7. | Immediately Blessed (7:13) Written by Keith Greeninger Performed by Keith Greeninger & Dayan Kai |
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| 8. | In Love Before the Last Call (4:59) Written by Jane Selkye Performed by Jane Selkye & Chris Kee |
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| 9. | Romance (4:01) Written & Performed by Jason McGuire |
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| 10. | These Knees (2:45) Written & Performed by Garett Brennan |
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| 11. | The Waves of Kilkee (2:56) Traditional - Performed by Rob Ickes |
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| 12. | Finale (1:43) Written & Performed by Glen Moore |
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Blue Coast Records’ first release features exceptional acoustic recordings performed live in the studio without the use of headphones, overdubs or digital effects. Label founder, and five time Grammy-Nominated producer/engineer, Cookie Marenco, assembled a cast of world-class performers, engineers and technicians familiar with her passion for audio excellence and appreciation of skilled musicianship.
The recording sessions led to a patent-pending recording technique called Extended Sound Environment (E.S.E.). Originally conceptualized for the surround environment, E.S.E. makes use of room and direct microphone placement to optimize full tonal response from the instruments and character of the room while allowing the musicians to position themselves to hear and respond to each other without the use of headphones. Attention to eliminating phase, blending the room and direct mics, creating balanced dynamics, monitoring while recording in surround all under Marenco’s production guidance brought stunning results that truly places the listener in an audio hologram of the music.
Extended Sound Environment (E.S.E.) 

